The Uncommercial Traveller
by Charles Dickens
But, he conferred with Straudenheim instead of doing him a mortal injury, and then they both softly opened the other window of that room--which was immediately over the housekeeper's--and tried to see her by looking down. And my opinion of Straudenheim was much lowered when I saw that eminent citizen spit out of window, clearly with the hope of spitting on the housekeeper.
The unconscious housekeeper fanned herself, tossed her head, and laughed. Though unconscious of Straudenheim, she was conscious of somebody else--of me?--there was nobody else.
After leaning so far out of the window, that I confidently expected to see their heels tilt up, Straudenheim and the lean man drew their heads in and shut the window. Presently, the house door secretly opened, and they slowly and spitefully crept forth into the pouring rain. They were coming over to me (I thought) to demand satisfaction for my looking at the housekeeper, when they plunged into a recess in the architecture under my window and dragged out the puniest of little soldiers, begirt with the most innocent of little swords. The tall glazed head-dress of this warrior, Straudenheim instantly knocked off, and out of it fell two sugar-sticks, and three or four large lumps of sugar.
The warrior made no effort to recover his property or to pick up his shako, but looked with an expression of attention at Straudenheim when he kicked him five times, and also at the lean man when HE kicked him five times, and again at Straudenheim when he tore the breast of his (the warrior's) little coat open, and shook all his ten fingers in his face, as if they were ten thousand. When these outrages had been committed, Straudenheim and his man went into the house again and barred the door. A wonderful circumstance was, that the housekeeper who saw it all (and who could have taken six such warriors to her buxom bosom at once), only fanned herself and laughed as she had laughed before, and seemed to have no opinion about it, one way or other.
But, the chief effect of the drama was the remarkable vengeance taken by the little warrior. Left alone in the rain, he picked up his shako; put it on, all wet and dirty as it was; retired into a court, of which Straudenheim's house formed the corner; wheeled about; and bringing his two forefingers close to the top of his nose, rubbed them over one another, cross-wise, in derision, defiance, and contempt of Straudenheim. Although Straudenheim could not possibly be supposed to be conscious of this strange proceeding, it so inflated and comforted the little warrior's soul, that twice he went away, and twice came back into the court to repeat it, as though it must goad his enemy to madness. Not only that, but he afterwards came back with two other small warriors, and they all three did it together. Not only that--as I live to tell the tale!--but just as it was falling quite dark, the three came back, bringing with them a huge bearded Sapper, whom they moved, by recital of the original wrong, to go through the same performance, with the same complete absence of all possible knowledge of it on the part of Straudenheim. And then they all went away, arm in arm, singing.
I went away too, in the German chariot at sunrise, and rattled on, day after day, like one in a sweet dream; with so many clear little bells on the harness of the horses, that the nursery rhyme about Banbury Cross and the venerable lady who rode in state there, was always in my ears.