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The Uncommercial Traveller

by Charles Dickens

Little whitewashed black holes of chapels, with barred doors and Flemish inscriptions, abound at roadside corners, and often they are garnished with a sheaf of wooden crosses, like children's swords; or, in their default, some hollow old tree with a saint roosting in it, is similarly decorated, or a pole with a very diminutive saint enshrined aloft in a sort of sacred pigeon-house. Not that we are deficient in such decoration in the town here, for, over at the church yonder, outside the building, is a scenic representation of the Crucifixion, built up with old bricks and stones, and made out with painted canvas and wooden figures: the whole surmounting the dusty skull of some holy personage (perhaps), shut up behind a little ashy iron grate, as if it were originally put there to be cooked, and the fire had long gone out. A windmilly country this, though the windmills are so damp and rickety, that they nearly knock themselves off their legs at every turn of their sails, and creak in loud complaint. A weaving country, too, for in the wayside cottages the loom goes wearily--rattle and click, rattle and click--and, looking in, I see the poor weaving peasant, man or woman, bending at the work, while the child, working too, turns a little hand-wheel put upon the ground to suit its height. An unconscionable monster, the loom in a small dwelling, asserting himself ungenerously as the bread-winner, straddling over the children's straw beds, cramping the family in space and air, and making himself generally objectionable and tyrannical. He is tributary, too, to ugly mills and factories and bleaching-grounds, rising out of the sluiced fields in an abrupt bare way, disdaining, like himself, to be ornamental or accommodating. Surrounded by these things, here I stood on the steps of the Hotel de Ville, persuaded to remain by the P. Salcy family, fifteen dramatic subjects strong.

There was a Fair besides. The double persuasion being irresistible, and my sponge being left behind at the last Hotel, I made the tour of the little town to buy another. In the small sunny shops--mercers, opticians, and druggist-grocers, with here and there an emporium of religious images--the gravest of old spectacled Flemish husbands and wives sat contemplating one another across bare counters, while the wasps, who seemed to have taken military possession of the town, and to have placed it under wasp- martial law, executed warlike manoeuvres in the windows. Other shops the wasps had entirely to themselves, and nobody cared and nobody came when I beat with a five-franc piece upon the board of custom. What I sought was no more to be found than if I had sought a nugget of Californian gold: so I went, spongeless, to pass the evening with the Family P. Salcy.

The members of the Family P. Salcy were so fat and so like one another--fathers, mothers, sisters, brothers, uncles, and aunts-- that I think the local audience were much confused about the plot of the piece under representation, and to the last expected that everybody must turn out to be the long-lost relative of everybody else. The Theatre was established on the top story of the Hotel de Ville, and was approached by a long bare staircase, whereon, in an airy situation, one of the P. Salcy Family--a stout gentleman imperfectly repressed by a belt--took the money.

Page 179 of 238
  • Biography
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    • A Christmas Carol (48 pages)
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    • Barnaby Rudge (418 pages)
    • Bleak House (579 pages)
    • David Copperfield (578 pages)
    • Dombey and Son (591 pages)
    • Great Expectations (298 pages)
    • Hard Times (172 pages)
    • Little Dorrit (560 pages)
    • Nicholas Nickleby (546 pages)
    • Oliver Twist (267 pages)
    • Our Mutual Friend (541 pages)
    • Martin Chuzzlewit (556 pages)
    • The Mystery of Edwin Drood (159 pages)
    • The Old Curiosity Shop (361 pages)
    • The Pickwick Papers (520 pages)
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