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The Uncommercial Traveller

by Charles Dickens

They looked like Time and his wife. There was but the one rake between them, and they both had hold of it in a pastorally-loving manner, and there was hay on the old woman's black bonnet, as if the old man had recently been playful. The old man was quite an obsolete old man, in knee-breeches and coarse grey stockings, and the old woman wore mittens like unto his stockings in texture and in colour. They took no heed of me as I looked on, unable to account for them. The old woman was much too bright for a pew-opener, the old man much too meek for a beadle. On an old tombstone in the foreground between me and them, were two cherubim; but for those celestial embellishments being represented as having no possible use for knee-breeches, stockings, or mittens, I should have compared them with the hay-makers, and sought a likeness. I coughed and awoke the echoes, but the hay-makers never looked at me. They used the rake with a measured action, drawing the scanty crop towards them; and so I was fain to leave them under three yards and a half of darkening sky, gravely making hay among the graves, all alone by themselves. Perhaps they were Spectres, and I wanted a Medium.

In another City churchyard of similar cramped dimensions, I saw, that selfsame summer, two comfortable charity children. They were making love--tremendous proof of the vigour of that immortal article, for they were in the graceful uniform under which English Charity delights to hide herself--and they were overgrown, and their legs (his legs at least, for I am modestly incompetent to speak of hers) were as much in the wrong as mere passive weakness of character can render legs. O it was a leaden churchyard, but no doubt a golden ground to those young persons! I first saw them on a Saturday evening, and, perceiving from their occupation that Saturday evening was their trysting-time, I returned that evening se'nnight, and renewed the contemplation of them. They came there to shake the bits of matting which were spread in the church aisles, and they afterwards rolled them up, he rolling his end, she rolling hers, until they met, and over the two once divided now united rolls--sweet emblem!--gave and received a chaste salute. It was so refreshing to find one of my faded churchyards blooming into flower thus, that I returned a second time, and a third, and ultimately this befell:- They had left the church door open, in their dusting and arranging. Walking in to look at the church, I became aware, by the dim light, of him in the pulpit, of her in the reading-desk, of him looking down, of her looking up, exchanging tender discourse. Immediately both dived, and became as it were non-existent on this sphere. With an assumption of innocence I turned to leave the sacred edifice, when an obese form stood in the portal, puffily demanding Joseph, or in default of Joseph, Celia. Taking this monster by the sleeve, and luring him forth on pretence of showing him whom he sought, I gave time for the emergence of Joseph and Celia, who presently came towards us in the churchyard, bending under dusty matting, a picture of thriving and unconscious industry. It would be superfluous to hint that I have ever since deemed this the proudest passage in my life.

But such instances, or any tokens of vitality, are rare indeed in my City churchyards.

Page 156 of 238
  • Biography
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    • A Christmas Carol (48 pages)
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    • Bleak House (579 pages)
    • David Copperfield (578 pages)
    • Dombey and Son (591 pages)
    • Great Expectations (298 pages)
    • Hard Times (172 pages)
    • Little Dorrit (560 pages)
    • Nicholas Nickleby (546 pages)
    • Oliver Twist (267 pages)
    • Our Mutual Friend (541 pages)
    • Martin Chuzzlewit (556 pages)
    • The Mystery of Edwin Drood (159 pages)
    • The Old Curiosity Shop (361 pages)
    • The Pickwick Papers (520 pages)
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