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The Uncommercial Traveller

by Charles Dickens

And my astonishment was heightened when I observed a large drum, that had previously been leaning helpless against a wall, taking up a stout position on four legs. Approaching this drum and looking over it, I found two boys behind it (it was too much for one), and then I found that each of the brazen instruments had brought out a boy, and was going to discourse sweet sounds. The boys--not omitting the fifer, now playing a new instrument--were dressed in neat uniform, and stood up in a circle at their music-stands, like any other Military Band. They played a march or two, and then we had Cheer boys, Cheer, and then we had Yankee Doodle, and we finished, as in loyal duty bound, with God save the Queen. The band's proficiency was perfectly wonderful, and it was not at all wonderful that the whole body corporate of Short-Timers listened with faces of the liveliest interest and pleasure.

What happened next among the Short-Timers? As if the band had blown me into a great class-room out of their brazen tubes, IN a great class-room I found myself now, with the whole choral force of Short-Timers singing the praises of a summer's day to the harmonium, and my small but highly respected friend the fifer blazing away vocally, as if he had been saving up his wind for the last twelvemonth; also the whole crew of the good ship Nameless swarming up and down the scale as if they had never swarmed up and down the rigging. This done, we threw our whole power into God bless the Prince of Wales, and blessed his Royal Highness to such an extent that, for my own Uncommercial part, I gasped again when it was over. The moment this was done, we formed, with surpassing freshness, into hollow squares, and fell to work at oral lessons as if we never did, and had never thought of doing, anything else.

Let a veil be drawn over the self-committals into which the Uncommercial Traveller would have been betrayed but for a discreet reticence, coupled with an air of absolute wisdom on the part of that artful personage. Take the square of five, multiply it by fifteen, divide it by three, deduct eight from it, add four dozen to it, give me the result in pence, and tell me how many eggs I could get for it at three farthings apiece. The problem is hardly stated, when a dozen small boys pour out answers. Some wide, some very nearly right, some worked as far as they go with such accuracy, as at once to show what link of the chain has been dropped in the hurry. For the moment, none are quite right; but behold a labouring spirit beating the buttons on its corporeal waistcoat, in a process of internal calculation, and knitting an accidental bump on its corporeal forehead in a concentration of mental arithmetic! It is my honourable friend (if he will allow me to call him so) the fifer. With right arm eagerly extended in token of being inspired with an answer, and with right leg foremost, the fifer solves the mystery: then recalls both arm and leg, and with bump in ambush awaits the next poser. Take the square of three, multiply it by seven, divide it by four, add fifty to it, take thirteen from it, multiply it by two, double it, give me the result in pence, and say how many halfpence. Wise as the serpent is the four feet of performer on the nearest approach to that instrument, whose right arm instantly appears, and quenches this arithmetical fire.

Page 142 of 238
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