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The Mystery of Edwin Drood

by Charles Dickens

Impassive, moody, solitary, resolute, so concentrated on one idea, and on its attendant fixed purpose, that he would share it with no fellow- creature, he lived apart from human life. Constantly exercising an Art which brought him into mechanical harmony with others, and which could not have been pursued unless he and they had been in the nicest mechanical relations and unison, it is curious to consider that the spirit of the man was in moral accordance or interchange with nothing around him. This indeed he had confided to his lost nephew, before the occasion for his present inflexibility arose.

That he must know of Rosa's abrupt departure, and that he must divine its cause, was not to be doubted. Did he suppose that he had terrified her into silence? or did he suppose that she had imparted to any one--to Mr. Crisparkle himself, for instance--the particulars of his last interview with her? Mr. Crisparkle could not determine this in his mind. He could not but admit, however, as a just man, that it was not, of itself, a crime to fall in love with Rosa, any more than it was a crime to offer to set love above revenge.

The dreadful suspicion of Jasper, which Rosa was so shocked to have received into her imagination, appeared to have no harbour in Mr. Crisparkle's. If it ever haunted Helena's thoughts or Neville's, neither gave it one spoken word of utterance. Mr. Grewgious took no pains to conceal his implacable dislike of Jasper, yet he never referred it, however distantly, to such a source. But he was a reticent as well as an eccentric man; and he made no mention of a certain evening when he warmed his hands at the gatehouse fire, and looked steadily down upon a certain heap of torn and miry clothes upon the floor.

Drowsy Cloisterham, whenever it awoke to a passing reconsideration of a story above six months old and dismissed by the bench of magistrates, was pretty equally divided in opinion whether John Jasper's beloved nephew had been killed by his treacherously passionate rival, or in an open struggle; or had, for his own purposes, spirited himself away. It then lifted up its head, to notice that the bereaved Jasper was still ever devoted to discovery and revenge; and then dozed off again. This was the condition of matters, all round, at the period to which the present history has now attained.

The Cathedral doors have closed for the night; and the Choir- master, on a short leave of absence for two or three services, sets his face towards London. He travels thither by the means by which Rosa travelled, and arrives, as Rosa arrived, on a hot, dusty evening.

His travelling baggage is easily carried in his hand, and he repairs with it on foot, to a hybrid hotel in a little square behind Aldersgate Street, near the General Post Office. It is hotel, boarding-house, or lodging-house, at its visitor's option. It announces itself, in the new Railway Advertisers, as a novel enterprise, timidly beginning to spring up. It bashfully, almost apologetically, gives the traveller to understand that it does not expect him, on the good old constitutional hotel plan, to order a pint of sweet blacking for his drinking, and throw it away; but insinuates that he may have his boots blacked instead of his stomach, and maybe also have bed, breakfast, attendance, and a porter up all night, for a certain fixed charge.

Page 150 of 159
  • Biography
  • Novels:
    • A Christmas Carol (48 pages)
    • A Tale of Two Cities (227 pages)
    • Barnaby Rudge (418 pages)
    • Bleak House (579 pages)
    • David Copperfield (578 pages)
    • Dombey and Son (591 pages)
    • Great Expectations (298 pages)
    • Hard Times (172 pages)
    • Little Dorrit (560 pages)
    • Nicholas Nickleby (546 pages)
    • Oliver Twist (267 pages)
    • Our Mutual Friend (541 pages)
    • Martin Chuzzlewit (556 pages)
    • The Mystery of Edwin Drood (159 pages)
    • The Old Curiosity Shop (361 pages)
    • The Pickwick Papers (520 pages)
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