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Martin Chuzzlewit

by Charles Dickens

And still the Captain's voice was heard--so stifled by the concourse, that he seemed to speak from underneath a feather-bed--exclaiming--'Gentlemen, you that have been introduced to Mr Chuzzlewit, WILL you clear?'

Even when they began to clear it was no better; for then a stream of gentlemen, every one with a lady on each arm (exactly like the chorus to the National Anthem when Royalty goes in state to the play), came gliding in--every new group fresher than the last, and bent on staying to the latest moment. If they spoke to him, which was not often, they invariably asked the same questions, in the same tone; with no more remorse, or delicacy, or consideration, than if he had been a figure of stone, purchased, and paid for, and set up there for their delight. Even when, in the slow course of time, these died off, it was as bad as ever, if not worse; for then the boys grew bold, and came in as a class of themselves, and did everything that the grown-up people had done. Uncouth stragglers, too, appeared; men of a ghostly kind, who being in, didn't know how to get out again; insomuch that one silent gentleman with glazed and fishy eyes and only one button on his waistcoat (which was a very large metal one, and shone prodigiously), got behind the door, and stood there, like a clock, long after everybody else was gone.

Martin felt, from pure fatigue, and heat, and worry, as if he could have fallen on the ground and willingly remained there, if they would but have had the mercy to leave him alone. But as letters and messages, threatening his public denouncement if he didn't see the senders, poured in like hail; and as more visitors came while he took his coffee by himself; and as Mark, with all his vigilance, was unable to keep them from the door; he resolved to go to bed--not that he felt at all sure of bed being any protection, but that he might not leave a forlorn hope untried.

He had communicated this design to Mark, and was on the eve of escaping, when the door was thrown open in a great hurry, and an elderly gentleman entered; bringing with him a lady who certainly could not be considered young--that was matter of fact; and probably could not be considered handsome--but that was matter of opinion. She was very straight, very tall, and not at all flexible in face or figure. On her head she wore a great straw bonnet, with trimmings of the same, in which she looked as if she had been thatched by an unskillful labourer; and in her hand she held a most enormous fan.

'Mr Chuzzlewit, I believe?' said the gentleman.

'That is my name.'

'Sir,' said the gentleman, 'I am pressed for time.'

'Thank God!' thought Martin.

'I go back Toe my home, sir,' pursued the gentleman, 'by the return train, which starts immediate. Start is not a word you use in your country, sir.'

'Oh yes, it is,' said Martin.

'You air mistaken, sir,' returned the gentleman, with great decision: 'but we will not pursue the subject, lest it should awake your preju--dice. Sir, Mrs Hominy.'

Martin bowed.

'Mrs Hominy, sir, is the lady of Major Hominy, one of our chicest spirits; and belongs Toe one of our most aristocratic families. You air, p'raps, acquainted, sir, with Mrs Hominy's writings.'

Martin couldn't say he was.

'You have much Toe learn, and Toe enjoy, sir,' said the gentleman.

Page 248 of 556
  • Biography
  • Novels:
    • A Christmas Carol (48 pages)
    • A Tale of Two Cities (227 pages)
    • Barnaby Rudge (418 pages)
    • Bleak House (579 pages)
    • David Copperfield (578 pages)
    • Dombey and Son (591 pages)
    • Great Expectations (298 pages)
    • Hard Times (172 pages)
    • Little Dorrit (560 pages)
    • Nicholas Nickleby (546 pages)
    • Oliver Twist (267 pages)
    • Our Mutual Friend (541 pages)
    • Martin Chuzzlewit (556 pages)
    • The Mystery of Edwin Drood (159 pages)
    • The Old Curiosity Shop (361 pages)
    • The Pickwick Papers (520 pages)
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