He asked him distinctly, before the second song began--as a personal favour too, mark the villain in that--not to play. Yes; he said so; not to play. The breathing of the youngest gentleman was heard through the key-hole of the door. He DIDN'T play. What vent was a flute for the passions swelling up within his breast? A trombone would have been a world too mild.

The serenade approached its close. Its crowning interest was at hand. The gentleman of a literary turn had written a song on the departure of the ladies, and adapted it to an old tune. They all joined, except the youngest gentleman in company, who, for the reasons aforesaid, maintained a fearful silence. The song (which was of a classical nature) invoked the oracle of Apollo, and demanded to know what would become of Todgers's when CHARITY and MERCY were banished from its walls. The oracle delivered no opinion particularly worth remembering, according to the not infrequent practice of oracles from the earliest ages down to the present time. In the absence of enlightenment on that subject, the strain deserted it, and went on to show that the Miss Pecksniffs were nearly related to Rule Britannia, and that if Great Britain hadn't been an island, there could have been no Miss Pecksniffs. And being now on a nautical tack, it closed with this verse:

'All hail to the vessel of Pecksniff the sire! And favouring breezes to fan; While Tritons flock round it, and proudly admire The architect, artist, and man!'

As they presented this beautiful picture to the imagination, the gentlemen gradually withdrew to bed to give the music the effect of distance; and so it died away, and Todgers's was left to its repose.

Mr Bailey reserved his vocal offering until the morning, when he put his head into the room as the young ladies were kneeling before their trunks, packing up, and treated them to an imitation of the voice of a young dog in trying circumstances; when that animal is supposed by persons of a lively fancy, to relieve his feelings by calling for pen and ink.

'Well, young ladies,' said the youth, 'so you're a-going home, are you, worse luck?'

'Yes, Bailey, we're going home,' returned Mercy.

'An't you a-going to leave none of 'em a lock of your hair?' inquired the youth. 'It's real, an't it?'

They laughed at this, and told him of course it was.

'Oh, is it of course, though?' said Bailey. 'I know better than that. Hers an't. Why, I see it hanging up once, on that nail by the winder. Besides, I have gone behind her at dinner-time and pulled it; and she never know'd. I say, young ladies, I'm a-going to leave. I an't a-going to stand being called names by her, no longer.'

Miss Mercy inquired what his plans for the future might be; in reply to whom Mr Bailey intimated that he thought of going either into top-boots, or into the army.

'Into the army!' cried the young ladies, with a laugh.

'Ah!' said Bailey, 'why not? There's a many drummers in the Tower. I'm acquainted with 'em. Don't their country set a valley on 'em, mind you! Not at all!'

'You'll be shot, I see,' observed Mercy.

'Well!' cried Mr Bailey, 'wot if I am? There's something gamey in it, young ladies, an't there? I'd sooner be hit with a cannon-ball than a rolling-pin, and she's always a-catching up something of that sort, and throwing it at me, when the gentlemans' appetites is good.