I may safely add that it has for the moment almost stricken me dumb. I should be more than human, and I assure you I am very human indeed, if I could look around upon this brilliant representative company and not feel greatly thrilled and stirred by the presence of so many brother artists, not only in literature, but also in the sister arts, especially painting, among whose professors living and unhappily dead, are many of my oldest and best friends. I hope that I may, without presumption, regard this thronging of my brothers around me as a testimony on their part that they believe that the cause of art generally has been safe in my keeping, and that it has never been falsely dealt with by me. Your resounding cheers just now would have been but so many cruel reproaches to me if I could not here declare that, from the earliest days of my career down to this proud night, I have always tried to be true to my calling. Never unduly to assert it, on the one hand, and never, on any pretence or consideration, to permit it to be patronized in my person, has been the steady endeavour of my life; and I have occasionally been vain enough to hope that I may leave its social position in England better than I found it. Similarly, and equally I hope without presumption, I trust that I may take this general representation of the public here, through so many orders, pursuits, and degrees, as a token that the public believe that, with a host of imperfections and shortcomings on my head, I have as a writer, in my soul and conscience, tried to be as true to them as they have ever been true to me. And here, in reference to the inner circle of the arts and the outer circle of the public, I feel it a duty to-night to offer two remarks. I have in my duty at odd times heard a great deal about literary sets and cliques, and coteries and barriers; about keeping this man up, and keeping that man down; about sworn disciples and sworn unbelievers, and mutual admiration societies, and I know not what other dragons in the upward path. I began to tread it when I was very young, without influence, without money, without companion, introducer, or adviser, and I am bound to put in evidence in this place that I never lighted on these dragons yet. So have I heard in my day, at divers other odd times, much generally to the effect that the English people have little or no love of art for its own sake, and that they do not greatly care to acknowledge or do honour to the artist. My own experience has uniformly been exactly the reverse. I can say that of my countrymen, though I cannot say that of my country.

And now passing to the immediate occasion of your doing me this great honour, the story of my going again to America is very easily and briefly told. Since I was there before a vast and entirely new generation has arisen in the United States. Since I was there before most of the best known of my books have been written and published; the new generation and the books have come together and have kept together, until at length numbers of those who have so widely and constantly read me; naturally desiring a little variety in the relationship between us, have expressed a strong wish that I should read myself.