The whole circle of the arts is pervaded by institutions between which and this I can descry no difference. The painters' art has four or five such institutions. The musicians' art, so generously and charmingly represented here, has likewise several such institutions. In my own art there is one, concerning the details of which my noble friend the president of the society and myself have torn each other's hair to a considerable extent, and which I would, if I could, assimilate more nearly to this. In the dramatic art there are four, and I never yet heard of any objection to their principle, except, indeed, in the cases of some famous actors of large gains, who having through the whole period of their successes positively refused to establish a right in them, became, in their old age and decline, repentant suppliants for their bounty. Is it urged against this particular Institution that it is objectionable because a parliamentary reporter, for instance, might report a subscribing M.P. in large, and a non-subscribing M.P. in little? Apart from the sweeping nature of this charge, which, it is to be observed, lays the unfortunate member and the unfortunate reporter under pretty much the same suspicion--apart from this consideration, I reply that it is notorious in all newspaper offices that every such man is reported according to the position he can gain in the public eye, and according to the force and weight of what he has to say. And if there were ever to be among the members of this society one so very foolish to his brethren, and so very dishonourable to himself, as venally to abuse his trust, I confidently ask those here, the best acquainted with journalism, whether they believe it possible that any newspaper so ill-conducted as to fail instantly to detect him could possibly exist as a thriving enterprise for one single twelvemonth? No, ladies and gentlemen, the blundering stupidity of such an offence would have no chance against the acute sagacity of newspaper editors. But I will go further, and submit to you that its commission, if it be to be dreaded at all, is far more likely on the part of some recreant camp-follower of a scattered, disunited, and half-recognized profession, than when there is a public opinion established in it, by the union of all classes of its members for the common good: the tendency of which union must in the nature of things be to raise the lower members of the press towards the higher, and never to bring the higher members to the lower level.

I hope I may be allowed in the very few closing words that I feel a desire to say in remembrance of some circumstances, rather special, attending my present occupation of this chair, to give those words something of a personal tone. I am not here advocating the case of a mere ordinary client of whom I have little or no knowledge. I hold a brief to-night for my brothers. I went into the gallery of the House of Commons as a parliamentary reporter when I was a boy not eighteen, and I left it--I can hardly believe the inexorable truth--nigh thirty years ago. I have pursued the calling of a reporter under circumstances of which many of my brethren at home in England here, many of my modern successors, can form no adequate conception.