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Speeches: Literary and Social

by Charles Dickens

I shall not ask you, according to the custom as to the other class--I shall not ask you on behalf of these children to observe how good they are, how pretty they are, how clever they are, how promising they are, whose beauty they most resemble--I shall only ask you to observe how weak they are, and how like death they are! And I shall ask you, by the remembrance of everything that lies between your own infancy and that so miscalled second childhood when the child's graces are gone and nothing but its helplessness remains; I shall ask you to turn your thoughts to THESE spoilt children in the sacred names of Pity and Compassion.

Some years ago, being in Scotland, I went with one of the most humane members of the humane medical profession, on a morning tour among some of the worst lodged inhabitants of the old town of Edinburgh. In the closes and wynds of that picturesque place--I am sorry to remind you what fast friends picturesqueness and typhus often are--we saw more poverty and sickness in an hour than many people would believe in a life. Our way lay from one to another of the most wretched dwellings, reeking with horrible odours; shut out from the sky, shut out from the air, mere pits and dens. In a room in one of these places, where there was an empty porridge-pot on the cold hearth, with a ragged woman and some ragged children crouching on the bare ground near it--where, I remember as I speak, that the very light, refracted from a high damp-stained and time- stained house-wall, came trembling in, as if the fever which had shaken everything else there had shaken even it--there lay, in an old egg-box which the mother had begged from a shop, a little feeble, wasted, wan, sick child. With his little wasted face, and his little hot, worn hands folded over his breast, and his little bright, attentive eyes, I can see him now, as I have seen him for several years, look in steadily at us. There he lay in his little frail box, which was not at all a bad emblem of the little body from which he was slowly parting--there he lay, quite quiet, quite patient, saying never a word. He seldom cried, the mother said; he seldom complained; "he lay there, seemin' to woonder what it was a' aboot." God knows, I thought, as I stood looking at him, he had his reasons for wondering--reasons for wondering how it could possibly come to be that he lay there, left alone, feeble and full of pain, when he ought to have been as bright and as brisk as the birds that never got near him--reasons for wondering how he came to be left there, a little decrepid old man pining to death, quite a thing of course, as if there were no crowds of healthy and happy children playing on the grass under the summer's sun within a stone's throw of him, as if there were no bright, moving sea on the other side of the great hill overhanging the city; as if there were no great clouds rushing over it; as if there were no life, and movement, and vigour anywhere in the world--nothing but stoppage and decay.

Page 44 of 130
  • Biography
  • Novels:
    • A Christmas Carol (48 pages)
    • A Tale of Two Cities (227 pages)
    • Barnaby Rudge (418 pages)
    • Bleak House (579 pages)
    • David Copperfield (578 pages)
    • Dombey and Son (591 pages)
    • Great Expectations (298 pages)
    • Hard Times (172 pages)
    • Little Dorrit (560 pages)
    • Nicholas Nickleby (546 pages)
    • Oliver Twist (267 pages)
    • Our Mutual Friend (541 pages)
    • Martin Chuzzlewit (556 pages)
    • The Mystery of Edwin Drood (159 pages)
    • The Old Curiosity Shop (361 pages)
    • The Pickwick Papers (520 pages)
  • Novellas, Short Stories  »
  • Nonfiction, Essays...  »
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