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Speeches: Literary and Social

by Charles Dickens

There is in this city a gentleman who, at the reception of one of my books--I well remember it was the Old Curiosity Shop--wrote to me in England a letter so generous, so affectionate, and so manly, that if I had written the book under every circumstance of disappointment, of discouragement, and difficulty, instead of the reverse, I should have found in the receipt of that letter my best and most happy reward. I answered him, {5} and he answered me, and so we kept shaking hands autographically, as if no ocean rolled between us. I came here to this city eager to see him, and [laying his hand it upon Irving's shoulder] here he sits! I need not tell you how happy and delighted I am to see him here to-night in this capacity.

Washington Irving! Why, gentlemen, I don't go upstairs to bed two nights out of the seven--as a very creditable witness near at hand can testify--I say I do not go to bed two nights out of the seven without taking Washington Irving under my arm; and, when I don't take him, I take his own brother, Oliver Goldsmith. Washington Irving! Why, of whom but him was I thinking the other day when I came up by the Hog's Back, the Frying Pan, Hell Gate, and all these places? Why, when, not long ago, I visited Shakespeare's birthplace, and went beneath the roof where he first saw light, whose name but HIS was pointed out to me upon the wall? Washington Irving--Diedrich Knickerbocker--Geoffrey Crayon--why, where can you go that they have not been there before? Is there an English farm- -is there an English stream, an English city, or an English country-seat, where they have not been? Is there no Bracebridge Hall in existence? Has it no ancient shades or quiet streets?

In bygone times, when Irving left that Hall, he left sitting in an old oak chair, in a small parlour of the Boar's Head, a little man with a red nose, and an oilskin hat. When I came away he was sitting there still!--not a man LIKE him, but the same man--with the nose of immortal redness and the hat of an undying glaze! Crayon, while there, was on terms of intimacy with a certain radical fellow, who used to go about, with a hatful of newspapers, wofully out at elbows, and with a coat of great antiquity. Why, gentlemen, I know that man--Tibbles the elder, and he has not changed a hair; and, when I came away, he charged me to give his best respects to Washington Irving!

Leaving the town and the rustic life of England--forgetting this man, if we can--putting out of mind the country church-yard and the broken heart--let us cross the water again, and ask who has associated himself most closely with the Italian peasantry and the bandits of the Pyrenees? When the traveller enters his little chamber beyond the Alps--listening to the dim echoes of the long passages and spacious corridors--damp, and gloomy, and cold--as he hears the tempest beating with fury against his window, and gazes at the curtains, dark, and heavy, and covered with mould--and when all the ghost-stories that ever were told come up before him--amid all his thick-coming fancies, whom does he think of? Washington Irving.

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  • Biography
  • Novels:
    • A Christmas Carol (48 pages)
    • A Tale of Two Cities (227 pages)
    • Barnaby Rudge (418 pages)
    • Bleak House (579 pages)
    • David Copperfield (578 pages)
    • Dombey and Son (591 pages)
    • Great Expectations (298 pages)
    • Hard Times (172 pages)
    • Little Dorrit (560 pages)
    • Nicholas Nickleby (546 pages)
    • Oliver Twist (267 pages)
    • Our Mutual Friend (541 pages)
    • Martin Chuzzlewit (556 pages)
    • The Mystery of Edwin Drood (159 pages)
    • The Old Curiosity Shop (361 pages)
    • The Pickwick Papers (520 pages)
  • Novellas, Short Stories  »
  • Nonfiction, Essays...  »
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