Sketches by Boz
by Charles Dickens
Common belief is inclined to bestow the name upon a little hole at the end of a muddy lane about a couple of miles long, colonised by one wheelwright, four paupers, and a beer-shop; but, even this authority, slight as it is, must be regarded with extreme suspicion, inasmuch as the inhabitants of the hole aforesaid, concur in opining that it never had any name at all, from the earliest ages down to the present day.
The Winglebury Arms, in the centre of the High-street, opposite the small building with the big clock, is the principal inn of Great Winglebury--the commercial-inn, posting-house, and excise-office; the 'Blue' house at every election, and the judges' house at every assizes. It is the head-quarters of the Gentlemen's Whist Club of Winglebury Blues (so called in opposition to the Gentlemen's Whist Club of Winglebury Buffs, held at the other house, a little further down): and whenever a juggler, or wax-work man, or concert-giver, takes Great Winglebury in his circuit, it is immediately placarded all over the town that Mr. So-and-so, 'trusting to that liberal support which the inhabitants of Great Winglebury have long been so liberal in bestowing, has at a great expense engaged the elegant and commodious assembly-rooms, attached to the Winglebury Arms.' The house is a large one, with a red brick and stone front; a pretty spacious hall, ornamented with evergreen plants, terminates in a perspective view of the bar, and a glass case, in which are displayed a choice variety of delicacies ready for dressing, to catch the eye of a new-comer the moment he enters, and excite his appetite to the highest possible pitch. Opposite doors lead to the 'coffee' and 'commercial' rooms; and a great wide, rambling staircase,--three stairs and a landing--four stairs and another landing--one step and another landing--half-a-dozen stairs and another landing--and so on--conducts to galleries of bedrooms, and labyrinths of sitting-rooms, denominated 'private,' where you may enjoy yourself, as privately as you can in any place where some bewildered being walks into your room every five minutes, by mistake, and then walks out again, to open all the doors along the gallery until he finds his own.
Such is the Winglebury Arms, at this day, and such was the Winglebury Arms some time since--no matter when--two or three minutes before the arrival of the London stage. Four horses with cloths on--change for a coach--were standing quietly at the corner of the yard surrounded by a listless group of post-boys in shiny hats and smock-frocks, engaged in discussing the merits of the cattle; half a dozen ragged boys were standing a little apart, listening with evident interest to the conversation of these worthies; and a few loungers were collected round the horse-trough, awaiting the arrival of the coach.
The day was hot and sunny, the town in the zenith of its dulness, and with the exception of these few idlers, not a living creature was to be seen. Suddenly, the loud notes of a key-bugle broke the monotonous stillness of the street; in came the coach, rattling over the uneven paving with a noise startling enough to stop even the large-faced clock itself. Down got the outsides, up went the windows in all directions, out came the waiters, up started the ostlers, and the loungers, and the post-boys, and the ragged boys, as if they were electrified--unstrapping, and unchaining, and unbuckling, and dragging willing horses out, and forcing reluctant horses in, and making a most exhilarating bustle.