Huddled together on two opposite forms, by the fireside, sit twenty men perhaps; here, a boy in livery; there, a man in a rough great-coat and top-boots; farther on, a desperate-looking fellow in his shirt-sleeves, with an old Scotch cap upon his shaggy head; near him again, a tall ruffian, in a smock-frock; next to him, a miserable being of distressed appearance, with his head resting on his hand;--all alike in one respect, all idle and listless. When they do leave the fire, sauntering moodily about, lounging in the window, or leaning against the wall, vacantly swinging their bodies to and fro. With the exception of a man reading an old newspaper, in two or three instances, this was the case in every ward we entered.

The only communication these men have with their friends, is through two close iron gratings, with an intermediate space of about a yard in width between the two, so that nothing can be handed across, nor can the prisoner have any communication by touch with the person who visits him. The married men have a separate grating, at which to see their wives, but its construction is the same.

The prison chapel is situated at the back of the governor's house: the latter having no windows looking into the interior of the prison. Whether the associations connected with the place--the knowledge that here a portion of the burial service is, on some dreadful occasions, performed over the quick and not upon the dead- -cast over it a still more gloomy and sombre air than art has imparted to it, we know not, but its appearance is very striking. There is something in a silent and deserted place of worship, solemn and impressive at any time; and the very dissimilarity of this one from any we have been accustomed to, only enhances the impression. The meanness of its appointments--the bare and scanty pulpit, with the paltry painted pillars on either side--the women's gallery with its great heavy curtain--the men's with its unpainted benches and dingy front--the tottering little table at the altar, with the commandments on the wall above it, scarcely legible through lack of paint, and dust and damp--so unlike the velvet and gilding, the marble and wood, of a modern church--are strange and striking. There is one object, too, which rivets the attention and fascinates the gaze, and from which we may turn horror-stricken in vain, for the recollection of it will haunt us, waking and sleeping, for a long time afterwards.