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by Charles Dickens

Take the case of a Christmas Pantomime. Surely nobody supposes that the young mother in the pit who falls into fits of laughter when the baby is boiled or sat upon, would be at all diverted by such an occurrence off the stage. Nor is the decent workman in the gallery, who is transported beyond the ignorant present by the delight with which he sees a stout gentleman pushed out of a two pair of stairs window, to be slandered by the suspicion that he would be in the least entertained by such a spectacle in any street in London, Paris, or New York. It always appears to me that the secret of this enjoyment lies in the temporary superiority to the common hazards and mischances of life; in seeing casualties, attended when they really occur with bodily and mental suffering, tears, and poverty, happen through a very rough sort of poetry without the least harm being done to any one - the pretence of distress in a pantomime being so broadly humorous as to be no pretence at all. Much as in the comic fiction I can understand the mother with a very vulnerable baby at home, greatly relishing the invulnerable baby on the stage, so in the Cremorne reality I can understand the mason who is always liable to fall off a scaffold in his working jacket and to be carried to the hospital, having an infinite admiration of the radiant personage in spangles who goes into the clouds upon a bull, or upside down, and who, he takes it for granted - not reflecting upon the thing - has, by uncommon skill and dexterity, conquered such mischances as those to which he and his acquaintance are continually exposed.

I wish the Morgue in Paris would not come here as I lie awake, with its ghastly beds, and the swollen saturated clothes hanging up, and the water dripping, dripping all day long, upon that other swollen saturated something in the corner, like a heap of crushed over-ripe figs that I have seen in Italy! And this detestable Morgue comes back again at the head of a procession of forgotten ghost stories. This will never do. I must think of something else as I lie awake; or, like that sagacious animal in the United States who recognised the colonel who was such a dead shot, I am a gone 'Coon. What shall I think of? The late brutal assaults. Very good subject. The late brutal assaults.

(Though whether, supposing I should see, here before me as I lie awake, the awful phantom described in one of those ghost stories, who, with a head-dress of shroud, was always seen looking in through a certain glass door at a certain dead hour - whether, in such a case it would be the least consolation to me to know on philosophical grounds that it was merely my imagination, is a question I can't help asking myself by the way.)

The late brutal assaults. I strongly question the expediency of advocating the revival of whipping for those crimes. It is a natural and generous impulse to be indignant at the perpetration of inconceivable brutality, but I doubt the whipping panacea gravely. Not in the least regard or pity for the criminal, whom I hold in far lower estimation than a mad wolf, but in consideration for the general tone and feeling, which is very much improved since the whipping times. It is bad for a people to be familiarised with such punishments.

Page 45 of 153
  • Biography
  • Novels:
    • A Christmas Carol (48 pages)
    • A Tale of Two Cities (227 pages)
    • Barnaby Rudge (418 pages)
    • Bleak House (579 pages)
    • David Copperfield (578 pages)
    • Dombey and Son (591 pages)
    • Great Expectations (298 pages)
    • Hard Times (172 pages)
    • Little Dorrit (560 pages)
    • Nicholas Nickleby (546 pages)
    • Oliver Twist (267 pages)
    • Our Mutual Friend (541 pages)
    • Martin Chuzzlewit (556 pages)
    • The Mystery of Edwin Drood (159 pages)
    • The Old Curiosity Shop (361 pages)
    • The Pickwick Papers (520 pages)
  • Novellas, Short Stories  »
  • Nonfiction, Essays...  »
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