Reprinted Pieces
by Charles Dickens
It is quite common to all three of us to skim along with airy strides a little above the ground; also to hold, with the deepest interest, dialogues with various people, all represented by ourselves; and to be at our wit's end to know what they are going to tell us; and to be indescribably astonished by the secrets they disclose. It is probable that we have all three committed murders and hidden bodies. It is pretty certain that we have all desperately wanted to cry out, and have had no voice; that we have all gone to the play and not been able to get in; that we have all dreamed much more of our youth than of our later lives; that - I have lost it! The thread's broken.
And up I go. I, lying here with the night-light before me, up I go, for no reason on earth that I can find out, and drawn by no links that are visible to me, up the Great Saint Bernard! I have lived in Switzerland, and rambled among the mountains; but, why I should go there now, and why up the Great Saint Bernard in preference to any other mountain, I have no idea. As I lie here broad awake, and with every sense so sharpened that I can distinctly hear distant noises inaudible to me at another time, I make that journey, as I really did, on the same summer day, with the same happy party - ah! two since dead, I grieve to think - and there is the same track, with the same black wooden arms to point the way, and there are the same storm-refuges here and there; and there is the same snow falling at the top, and there are the same frosty mists, and there is the same intensely cold convent with its menagerie smell, and the same breed of dogs fast dying out, and the same breed of jolly young monks whom I mourn to know as humbugs, and the same convent parlour with its piano and the sitting round the fire, and the same supper, and the same lone night in a cell, and the same bright fresh morning when going out into the highly rarefied air was like a plunge into an icy bath. Now, see here what comes along; and why does this thing stalk into my mind on the top of a Swiss mountain!
It is a figure that I once saw, just after dark, chalked upon a door in a little back lane near a country church - my first church. How young a child I may have been at the time I don't know, but it horrified me so intensely - in connexion with the churchyard, I suppose, for it smokes a pipe, and has a big hat with each of its ears sticking out in a horizontal line under the brim, and is not in itself more oppressive than a mouth from ear to ear, a pair of goggle eyes, and hands like two bunches of carrots, five in each, can make it - that it is still vaguely alarming to me to recall (as I have often done before, lying awake) the running home, the looking behind, the horror, of its following me; though whether disconnected from the door, or door and all, I can't say, and perhaps never could. It lays a disagreeable train. I must resolve to think of something on the voluntary principle.
The balloon ascents of this last season. They will do to think about, while I lie awake, as well as anything else. I must hold them tight though, for I feel them sliding away, and in their stead are the Mannings, husband and wife, hanging on the top of Horse- monger Lane Jail. In connexion with which dismal spectacle, I recall this curious fantasy of the mind.