He clears the table; draws the dingy curtains of the great bow window, which so unwillingly consent to meet, that they must be pinned together; leaves me by the fire with my pint decanter, and a little thin funnel-shaped wine-glass, and a plate of pale biscuits - in themselves engendering desperation.

No book, no newspaper! I left the Arabian Nights in the railway carriage, and have nothing to read but Bradshaw, and 'that way madness lies.' Remembering what prisoners and ship-wrecked mariners have done to exercise their minds in solitude, I repeat the multiplication table, the pence table, and the shilling table: which are all the tables I happen to know. What if I write something? The Dodo keeps no pens but steel pens; and those I always stick through the paper, and can turn to no other account.

What am I to do? Even if I could have the bandy-legged baby knocked up and brought here, I could offer him nothing but sherry, and that would be the death of him. He would never hold up his head again if he touched it. I can't go to bed, because I have conceived a mortal hatred for my bedroom; and I can't go away, because there is no train for my place of destination until morning. To burn the biscuits will be but a fleeting joy; still it is a temporary relief, and here they go on the fire! Shall I break the plate? First let me look at the back, and see who made it. COPELAND.

Copeland! Stop a moment. Was it yesterday I visited Copeland's works, and saw them making plates? In the confusion of travelling about, it might be yesterday or it might be yesterday month; but I think it was yesterday. I appeal to the plate. The plate says, decidedly, yesterday. I find the plate, as I look at it, growing into a companion.