Again, in these confined intolerable rooms, burrowed out like the holes of rats or the nests of insect-vermin, but fuller of intolerable smells, are crowds of sleepers, each on his foul truckle-bed coiled up beneath a rug. Holloa here! Come! Let us see you! Show your face! Pilot Parker goes from bed to bed and turns their slumbering heads towards us, as a salesman might turn sheep. Some wake up with an execration and a threat. - What! who spoke? O! If it's the accursed glaring eye that fixes me, go where I will, I am helpless. Here! I sit up to be looked at. Is it me you want? Not you, lie down again! and I lie down, with a woful growl.

Whenever the turning lane of light becomes stationary for a moment, some sleeper appears at the end of it, submits himself to be scrutinised, and fades away into the darkness.

There should be strange dreams here, Deputy. They sleep sound enough, says Deputy, taking the candle out of the blacking-bottle, snuffing it with his fingers, throwing the snuff into the bottle, and corking it up with the candle; that's all I know. What is the inscription, Deputy, on all the discoloured sheets? A precaution against loss of linen. Deputy turns down the rug of an unoccupied bed and discloses it. STOP THIEF!

To lie at night, wrapped in the legend of my slinking life; to take the cry that pursues me, waking, to my breast in sleep; to have it staring at me, and clamouring for me, as soon as consciousness returns; to have it for my first-foot on New-Year's day, my Valentine, my Birthday salute, my Christmas greeting, my parting with the old year. STOP THIEF!

And to know that I MUST be stopped, come what will. To know that I am no match for this individual energy and keenness, or this organised and steady system! Come across the street, here, and, entering by a little shop and yard, examine these intricate passages and doors, contrived for escape, flapping and counter- flapping, like the lids of the conjurer's boxes. But what avail they? Who gets in by a nod, and shows their secret working to us? Inspector Field.

Don't forget the old Farm House, Parker! Parker is not the man to forget it. We are going there, now. It is the old Manor-House of these parts, and stood in the country once. Then, perhaps, there was something, which was not the beastly street, to see from the shattered low fronts of the overhanging wooden houses we are passing under - shut up now, pasted over with bills about the literature and drama of the Mint, and mouldering away. This long paved yard was a paddock or a garden once, or a court in front of the Farm House. Perchance, with a dovecot in the centre, and fowls peeking about - with fair elm trees, then, where discoloured chimney-stacks and gables are now - noisy, then, with rooks which have yielded to a different sort of rookery. It's likelier than not, Inspector Field thinks, as we turn into the common kitchen, which is in the yard, and many paces from the house.

Well, my lads and lasses, how are you all? Where's Blackey, who has stood near London Bridge these five-and-twenty years, with a painted skin to represent disease? - Here he is, Mr. Field! - How are you, Blackey? - Jolly, sa! Not playing the fiddle to-night, Blackey? - Not a night, sa! A sharp, smiling youth, the wit of the kitchen, interposes. He an't musical to-night, sir. I've been giving him a moral lecture; I've been a talking to him about his latter end, you see. A good many of these are my pupils, sir. This here young man (smoothing down the hair of one near him, reading a Sunday paper) is a pupil of mine.