Pictures From Italy
by Charles Dickens
I had entered Bologna by night--almost midnight--and all along the road thither, after our entrance into the Papal territory: which is not, in any part, supremely well governed, Saint Peter's keys being rather rusty now; the driver had so worried about the danger of robbers in travelling after dark, and had so infected the brave Courier, and the two had been so constantly stopping and getting up and down to look after a portmanteau which was tied on behind, that I should have felt almost obliged to any one who would have had the goodness to take it away. Hence it was stipulated, that, whenever we left Bologna, we should start so as not to arrive at Ferrara later than eight at night; and a delightful afternoon and evening journey it was, albeit through a flat district which gradually became more marshy from the overflow of brooks and rivers in the recent heavy rains.
At sunset, when I was walking on alone, while the horses rested, I arrived upon a little scene, which, by one of those singular mental operations of which we are all conscious, seemed perfectly familiar to me, and which I see distinctly now. There was not much in it. In the blood red light, there was a mournful sheet of water, just stirred by the evening wind; upon its margin a few trees. In the foreground was a group of silent peasant girls leaning over the parapet of a little bridge, and looking, now up at the sky, now down into the water; in the distance, a deep bell; the shade of approaching night on everything. If I had been murdered there, in some former life, I could not have seemed to remember the place more thoroughly, or with a more emphatic chilling of the blood; and the mere remembrance of it acquired in that minute, is so strengthened by the imaginary recollection, that I hardly think I could forget it.
More solitary, more depopulated, more deserted, old Ferrara, than any city of the solemn brotherhood! The grass so grows up in the silent streets, that any one might make hay there, literally, while the sun shines. But the sun shines with diminished cheerfulness in grim Ferrara; and the people are so few who pass and re-pass through the places, that the flesh of its inhabitants might be grass indeed, and growing in the squares.
I wonder why the head coppersmith in an Italian town, always lives next door to the Hotel, or opposite: making the visitor feel as if the beating hammers were his own heart, palpitating with a deadly energy! I wonder why jealous corridors surround the bedroom on all sides, and fill it with unnecessary doors that can't be shut, and will not open, and abut on pitchy darkness! I wonder why it is not enough that these distrustful genii stand agape at one's dreams all night, but there must also be round open portholes, high in the wall, suggestive, when a mouse or rat is heard behind the wainscot, of a somebody scraping the wall with his toes, in his endeavours to reach one of these portholes and look in! I wonder why the faggots are so constructed, as to know of no effect but an agony of heat when they are lighted and replenished, and an agony of cold and suffocation at all other times! I wonder, above all, why it is the great feature of domestic architecture in Italian inns, that all the fire goes up the chimney, except the smoke!
The answer matters little. Coppersmiths, doors, portholes, smoke, and faggots, are welcome to me.