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Our Mutual Friend

by Charles Dickens

'Now, when we come to St Paul's churchyard,' pursued Eugene, 'we'll loiter artfully, and I'll show you the schoolmaster.' But, they both saw him, before they got there; alone, and stealing after them in the shadow of the houses, on the opposite side of the way.

'Get your wind,' said Eugene, 'for I am off directly. Does it occur to you that the boys of Merry England will begin to deteriorate in an educational light, if this lasts long? The schoolmaster can't attend to me and the boys too. Got your wind? I am off!'

At what a rate he went, to breathe the schoolmaster; and how he then lounged and loitered, to put his patience to another kind of wear; what preposterous ways he took, with no other object on earth than to disappoint and punish him; and how he wore him out by every piece of ingenuity that his eccentric humour could devise; all this Lightwood noted, with a feeling of astonishment that so careless a man could be so wary, and that so idle a man could take so much trouble. At last, far on in the third hour of the pleasures of the chase, when he had brought the poor dogging wretch round again into the City, he twisted Mortimer up a few dark entries, twisted him into a little square court, twisted him sharp round again, and they almost ran against Bradley Headstone.

'And you see, as I was saying, Mortimer,' remarked Eugene aloud with the utmost coolness, as though there were no one within hearing by themselves: 'and you see, as I was saying--undergoing grinding torments.'

It was not too strong a phrase for the occasion. Looking like the hunted and not the hunter, baffled, worn, with the exhaustion of deferred hope and consuming hate and anger in his face, white-lipped, wild-eyed, draggle-haired, seamed with jealousy and anger, and torturing himself with the conviction that he showed it all and they exulted in it, he went by them in the dark, like a haggard head suspended in the air: so completely did the force of his expression cancel his figure.

Mortimer Lightwood was not an extraordinarily impressible man, but this face impressed him. He spoke of it more than once on the remainder of the way home, and more than once when they got home.

They had been abed in their respective rooms two or three hours, when Eugene was partly awakened by hearing a footstep going about, and was fully awakened by seeing Lightwood standing at his bedside.

'Nothing wrong, Mortimer?'

'No.'

'What fancy takes you, then, for walking about in the night?'

'I am horribly wakeful.'

'How comes that about, I wonder!'

'Eugene, I cannot lose sight of that fellow's face.'

'Odd!' said Eugene with a light laugh, 'I can.' And turned over, and fell asleep again.

Chapter 11

IN THE DARK

There was no sleep for Bradley Headstone on that night when Eugene Wrayburn turned so easily in his bed; there was no sleep for little Miss Peecher. Bradley consumed the lonely hours, and consumed himself in haunting the spot where his careless rival lay a dreaming; little Miss Peecher wore them away in listening for the return home of the master of her heart, and in sorrowfully presaging that much was amiss with him. Yet more was amiss with him than Miss Peecher's simply arranged little work-box of thoughts, fitted with no gloomy and dark recesses, could hold. For, the state of the man was murderous.

The state of the man was murderous, and he knew it.

Page 359 of 541
  • Biography
  • Novels:
    • A Christmas Carol (48 pages)
    • A Tale of Two Cities (227 pages)
    • Barnaby Rudge (418 pages)
    • Bleak House (579 pages)
    • David Copperfield (578 pages)
    • Dombey and Son (591 pages)
    • Great Expectations (298 pages)
    • Hard Times (172 pages)
    • Little Dorrit (560 pages)
    • Nicholas Nickleby (546 pages)
    • Oliver Twist (267 pages)
    • Our Mutual Friend (541 pages)
    • Martin Chuzzlewit (556 pages)
    • The Mystery of Edwin Drood (159 pages)
    • The Old Curiosity Shop (361 pages)
    • The Pickwick Papers (520 pages)
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