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Our Mutual Friend

by Charles Dickens

'He was slinking about in his boat,' says Tom, 'which slinking were, not to speak ill of the dead, the manner of the man, when he come right athwart the steamer's bows and she cut him in two.' Mr Tootle is so far figurative, touching the dismemberment, as that he means the boat, and not the man. For, the man lies whole before them.

Captain Joey, the bottle-nosed regular customer in the glazed hat, is a pupil of the much-respected old school, and (having insinuated himself into the chamber, in the execution of the important service of carrying the drowned man's neck-kerchief) favours the doctor with a sagacious old-scholastic suggestion that the body should be hung up by the heels, 'sim'lar', says Captain Joey, 'to mutton in a butcher's shop,' and should then, as a particularly choice manoeuvre for promoting easy respiration, be rolled upon casks. These scraps of the wisdom of the captain's ancestors are received with such speechless indignation by Miss Abbey, that she instantly seizes the Captain by the collar, and without a single word ejects him, not presuming to remonstrate, from the scene.

There then remain, to assist the doctor and Tom, only those three other regular customers, Bob Glamour, William Williams, and Jonathan (family name of the latter, if any, unknown to man-kind), who are quite enough. Miss Abbey having looked in to make sure that nothing is wanted, descends to the bar, and there awaits the result, with the gentle Jew and Miss Jenny Wren.

If you are not gone for good, Mr Riderhood, it would be something to know where you are hiding at present. This flabby lump of mortality that we work so hard at with such patient perseverance, yields no sign of you. If you are gone for good, Rogue, it is very solemn, and if you are coming back, it is hardly less so. Nay, in the suspense and mystery of the latter question, involving that of where you may be now, there is a solemnity even added to that of death, making us who are in attendance alike afraid to look on you and to look off you, and making those below start at the least sound of a creaking plank in the floor.

Stay! Did that eyelid tremble? So the doctor, breathing low, and closely watching, asks himself.

No.

Did that nostril twitch?

No.

This artificial respiration ceasing, do I feel any faint flutter under my hand upon the chest?

No.

Over and over again No. No. But try over and over again, nevertheless.

See! A token of life! An indubitable token of life! The spark may smoulder and go out, or it may glow and expand, but see! The four rough fellows, seeing, shed tears. Neither Riderhood in this world, nor Riderhood in the other, could draw tears from them; but a striving human soul between the two can do it easily.

He is struggling to come back. Now, he is almost here, now he is far away again. Now he is struggling harder to get back. And yet--like us all, when we swoon--like us all, every day of our lives when we wake--he is instinctively unwilling to be restored to the consciousness of this existence, and would be left dormant, if he could.

Bob Gliddery returns with Pleasant Riderhood, who was out when sought for, and hard to find. She has a shawl over her head, and her first action, when she takes it off weeping, and curtseys to Miss Abbey, is to wind her hair up.

'Thank you, Miss Abbey, for having father here.

Page 293 of 541
  • Biography
  • Novels:
    • A Christmas Carol (48 pages)
    • A Tale of Two Cities (227 pages)
    • Barnaby Rudge (418 pages)
    • Bleak House (579 pages)
    • David Copperfield (578 pages)
    • Dombey and Son (591 pages)
    • Great Expectations (298 pages)
    • Hard Times (172 pages)
    • Little Dorrit (560 pages)
    • Nicholas Nickleby (546 pages)
    • Oliver Twist (267 pages)
    • Our Mutual Friend (541 pages)
    • Martin Chuzzlewit (556 pages)
    • The Mystery of Edwin Drood (159 pages)
    • The Old Curiosity Shop (361 pages)
    • The Pickwick Papers (520 pages)
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