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Our Mutual Friend

by Charles Dickens

'How warn her father, and not tell him? Tell him how much? Tell him how little? I--I--am getting lost.'

'Tell him I am a match-maker; tell him I am an artful and designing woman; tell him you are sure his daughter is best out of my house and my company. Tell him any such things of me; they will all be true. You know what a puffed-up man he is, and how easily you can cause his vanity to take the alarm. Tell him as much as will give him the alarm and make him careful of her, and spare me the rest. Mr Twemlow, I feel my sudden degradation in your eyes; familiar as I am with my degradation in my own eyes, I keenly feel the change that must have come upon me in yours, in these last few moments. But I trust to your good faith with me as implicitly as when I began. If you knew how often I have tried to speak to you to-day, you would almost pity me. I want no new promise from you on my own account, for I am satisfied, and I always shall be satisfied, with the promise you have given me. I can venture to say no more, for I see that I am watched. If you would set my mind at rest with the assurance that you will interpose with the father and save this harmless girl, close that book before you return it to me, and I shall know what you mean, and deeply thank you in my heart.--Alfred, Mr Twemlow thinks the last one the best, and quite agrees with you and me.'

Alfred advances. The groups break up. Lady Tippins rises to go, and Mrs Veneering follows her leader. For the moment, Mrs Lammle does not turn to them, but remains looking at Twemlow looking at Alfred's portrait through his eyeglass. The moment past, Twemlow drops his eyeglass at its ribbon's length, rises, and closes the book with an emphasis which makes that fragile nursling of the fairies, Tippins, start.

Then good-bye and good-bye, and charming occasion worthy of the Golden Age, and more about the flitch of bacon, and the like of that; and Twemlow goes staggering across Piccadilly with his hand to his forehead, and is nearly run down by a flushed lettercart, and at last drops safe in his easy-chair, innocent good gentleman, with his hand to his forehead still, and his head in a whirl.

BOOK THE THIRD -- A LONG LANE

Chapter 1

LODGERS IN QUEER STREET

It was a foggy day in London, and the fog was heavy and dark. Animate London, with smarting eyes and irritated lungs, was blinking, wheezing, and choking; inanimate London was a sooty spectre, divided in purpose between being visible and invisible, and so being wholly neither. Gaslights flared in the shops with a haggard and unblest air, as knowing themselves to be night-creatures that had no business abroad under the sun; while the sun itself when it was for a few moments dimly indicated through circling eddies of fog, showed as if it had gone out and were collapsing flat and cold. Even in the surrounding country it was a foggy day, but there the fog was grey, whereas in London it was, at about the boundary line, dark yellow, and a little within it brown, and then browner, and then browner, until at the heart of the City--which call Saint Mary Axe--it was rusty-black.

Page 277 of 541
  • Biography
  • Novels:
    • A Christmas Carol (48 pages)
    • A Tale of Two Cities (227 pages)
    • Barnaby Rudge (418 pages)
    • Bleak House (579 pages)
    • David Copperfield (578 pages)
    • Dombey and Son (591 pages)
    • Great Expectations (298 pages)
    • Hard Times (172 pages)
    • Little Dorrit (560 pages)
    • Nicholas Nickleby (546 pages)
    • Oliver Twist (267 pages)
    • Our Mutual Friend (541 pages)
    • Martin Chuzzlewit (556 pages)
    • The Mystery of Edwin Drood (159 pages)
    • The Old Curiosity Shop (361 pages)
    • The Pickwick Papers (520 pages)
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