Our Mutual Friend
by Charles Dickens
--Get on, and get it over!'
Eugene says this with a sound of vexation in his voice, leaning back in his chair and looking balefully at Lady Tippins, who nods to him as her dear Bear, and playfully insinuates that she (a self-evident proposition) is Beauty, and he Beast.
'The reference,' proceeds Mortimer, 'which I suppose to be made by my honourable and fair enslaver opposite, is to the following circumstance. Very lately, the young woman, Lizzie Hexam, daughter of the late Jesse Hexam, otherwise Gaffer, who will be remembered to have found the body of the man from somewhere, mysteriously received, she knew not from whom, an explicit retraction of the charges made against her father, by another water-side character of the name of Riderhood. Nobody believed them, because little Rogue Riderhood--I am tempted into the paraphrase by remembering the charming wolf who would have rendered society a great service if he had devoured Mr Riderhood's father and mother in their infancy--had previously played fast and loose with the said charges, and, in fact, abandoned them. However, the retraction I have mentioned found its way into Lizzie Hexam's hands, with a general flavour on it of having been favoured by some anonymous messenger in a dark cloak and slouched hat, and was by her forwarded, in her father's vindication, to Mr Boffin, my client. You will excuse the phraseology of the shop, but as I never had another client, and in all likelihood never shall have, I am rather proud of him as a natural curiosity probably unique.'
Although as easy as usual on the surface, Lightwood is not quite as easy as usual below it. With an air of not minding Eugene at all, he feels that the subject is not altogether a safe one in that connexion.
'The natural curiosity which forms the sole ornament of my professional museum,' he resumes, 'hereupon desires his Secretary--an individual of the hermit-crab or oyster species, and whose name, I think, is Chokesmith--but it doesn't in the least matter--say Artichoke--to put himself in communication with Lizzie Hexam. Artichoke professes his readiness so to do, endeavours to do so, but fails.'
'Why fails?' asks Boots.
'How fails?' asks Brewer.
'Pardon me,' returns Lightwood,' I must postpone the reply for one moment, or we shall have an anti-climax. Artichoke failing signally, my client refers the task to me: his purpose being to advance the interests of the object of his search. I proceed to put myself in communication with her; I even happen to possess some special means,' with a glance at Eugene, 'of putting myself in communication with her; but I fail too, because she has vanished.'
'Vanished!' is the general echo.
'Disappeared,' says Mortimer. 'Nobody knows how, nobody knows when, nobody knows where. And so ends the story to which my honourable and fair enslaver opposite referred.'
Tippins, with a bewitching little scream, opines that we shall every one of us be murdered in our beds. Eugene eyes her as if some of us would be enough for him. Mrs Veneering, W.M.P., remarks that these social mysteries make one afraid of leaving Baby. Veneering, M.P., wishes to be informed (with something of a second-hand air of seeing the Right Honourable Gentleman at the head of the Home Department in his place) whether it is intended to be conveyed that the vanished person has been spirited away or otherwise harmed? Instead of Lightwood's answering, Eugene answers, and answers hastily and vexedly: 'No, no, no; he doesn't mean that; he means voluntarily vanished--but utterly--completely.