'And she always has the use of this room for visitors,' said the person of the house, screwing up one of her little bony fists, like an opera-glass, and looking through it, with her eyes and her chin in that quaint accordance. 'Always this room for visitors; haven't you, Lizzie dear?'

It happened that Bradley Headstone noticed a very slight action of Lizzie Hexam's hand, as though it checked the doll's dressmaker. And it happened that the latter noticed him in the same instant; for she made a double eyeglass of her two hands, looked at him through it, and cried, with a waggish shake of her head: 'Aha! Caught you spying, did I?'

It might have fallen out so, any way; but Bradley Headstone also noticed that immediately after this, Lizzie, who had not taken off her bonnet, rather hurriedly proposed that as the room was getting dark they should go out into the air. They went out; the visitors saying good-night to the doll's dressmaker, whom they left, leaning back in her chair with her arms crossed, singing to herself in a sweet thoughtful little voice.

'I'll saunter on by the river,' said Bradley. 'You will be glad to talk together.'

As his uneasy figure went on before them among the evening shadows, the boy said to his sister, petulantly:

'When are you going to settle yourself in some Christian sort of place, Liz? I thought you were going to do it before now.'

'I am very well where I am, Charley.'

'Very well where you are! I am ashamed to have brought Mr Headstone with me. How came you to get into such company as that little witch's?'

'By chance at first, as it seemed, Charley. But I think it must have been by something more than chance, for that child--You remember the bills upon the walls at home?'

'Confound the bills upon the walls at home! I want to forget the bills upon the walls at home, and it would be better for you to do the same,' grumbled the boy. 'Well; what of them?'

'This child is the grandchild of the old man.'

'What old man?'

'The terrible drunken old man, in the list slippers and the night-cap.'

The boy asked, rubbing his nose in a manner that half expressed vexation at hearing so much, and half curiosity to hear more: 'How came you to make that out? What a girl you are!'

'The child's father is employed by the house that employs me; that's how I came to know it, Charley. The father is like his own father, a weak wretched trembling creature, falling to pieces, never sober. But a good workman too, at the work he does. The mother is dead. This poor ailing little creature has come to be what she is, surrounded by drunken people from her cradle--if she ever had one, Charley.'

'I don't see what you have to do with her, for all that,' said the boy.

'Don't you, Charley?'

The boy looked doggedly at the river. They were at Millbank, and the river rolled on their left. His sister gently touched him on the shoulder, and pointed to it.

'Any compensation--restitution--never mind the word, you know my meaning. Father's grave.'

But he did not respond with any tenderness. After a moody silence he broke out in an ill-used tone:

'It'll be a very hard thing, Liz, if, when I am trying my best to get up in the world, you pull me back.'

'I, Charley?'

'Yes, you, Liz.