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Oliver Twist

by Charles Dickens

'The neighbourhood was a little too hot, Lively,' said Fagin, elevating his eyebrows, and crossing his hands upon his shoulders.

'Well, I've heerd that complaint of it, once or twice before,' replied the trader; 'but it soon cools down again; don't you find it so?'

Fagin nodded in the affirmative. Pointing in the direction of Saffron Hill, he inquired whether any one was up yonder to-night.

'At the Cripples?' inquired the man.

The Jew nodded.

'Let me see,' pursued the merchant, reflecting.

'Yes, there's some half-dozen of 'em gone in, that I knows. I don't think your friend's there.'

'Sikes is not, I suppose?' inquired the Jew, with a disappointed countenance.

'_Non istwentus_, as the lawyers say,' replied the little man, shaking his head, and looking amazingly sly. 'Have you got anything in my line to-night?'

'Nothing to-night,' said the Jew, turning away.

'Are you going up to the Cripples, Fagin?' cried the little man, calling after him. 'Stop! I don't mind if I have a drop there with you!'

But as the Jew, looking back, waved his hand to intimate that he preferred being alone; and, moreover, as the little man could not very easily disengage himself from the chair; the sign of the Cripples was, for a time, bereft of the advantage of Mr. Lively's presence. By the time he had got upon his legs, the Jew had disappeared; so Mr. Lively, after ineffectually standing on tiptoe, in the hope of catching sight of him, again forced himself into the little chair, and, exchanging a shake of the head with a lady in the opposite shop, in which doubt and mistrust were plainly mingled, resumed his pipe with a grave demeanour.

The Three Cripples, or rather the Cripples; which was the sign by which the establishment was familiarly known to its patrons: was the public-house in which Mr. Sikes and his dog have already figured. Merely making a sign to a man at the bar, Fagin walked straight upstairs, and opening the door of a room, and softly insinuating himself into the chamber, looked anxiously about: shading his eyes with his hand, as if in search of some particular person.

The room was illuminated by two gas-lights; the glare of which was prevented by the barred shutters, and closely-drawn curtains of faded red, from being visible outside. The ceiling was blackened, to prevent its colour from being injured by the flaring of the lamps; and the place was so full of dense tobacco smoke, that at first it was scarcely possible to discern anything more. By degrees, however, as some of it cleared away through the open door, an assemblage of heads, as confused as the noises that greeted the ear, might be made out; and as the eye grew more accustomed to the scene, the spectator gradually became aware of the presence of a numerous company, male and female, crowded round a long table: at the upper end of which, sat a chairman with a hammer of office in his hand; while a professional gentleman with a bluish nose, and his face tied up for the benefit of a toothache, presided at a jingling piano in a remote corner.

As Fagin stepped softly in, the professional gentleman, running over the keys by way of prelude, occasioned a general cry of order for a song; which having subsided, a young lady proceeded to entertain the company with a ballad in four verses, between each of which the accompanyist played the melody all through, as loud as he could.

Page 119 of 267
  • Biography
  • Novels:
    • A Christmas Carol (48 pages)
    • A Tale of Two Cities (227 pages)
    • Barnaby Rudge (418 pages)
    • Bleak House (579 pages)
    • David Copperfield (578 pages)
    • Dombey and Son (591 pages)
    • Great Expectations (298 pages)
    • Hard Times (172 pages)
    • Little Dorrit (560 pages)
    • Nicholas Nickleby (546 pages)
    • Oliver Twist (267 pages)
    • Our Mutual Friend (541 pages)
    • Martin Chuzzlewit (556 pages)
    • The Mystery of Edwin Drood (159 pages)
    • The Old Curiosity Shop (361 pages)
    • The Pickwick Papers (520 pages)
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