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Nicholas Nickleby

by Charles Dickens

The room being by this time very warm and somewhat crowded, in consequence of the influx of four gentlemen, who had just killed each other in the piece under representation, Nicholas accepted the invitation, and promised to return at the conclusion of the performances; preferring the cool air and twilight out of doors to the mingled perfume of gas, orange-peel, and gunpowder, which pervaded the hot and glaring theatre.

He availed himself of this interval to buy a silver snuff-box--the best his funds would afford--as a token of remembrance for Mr Crummles, and having purchased besides a pair of ear-rings for Mrs Crummles, a necklace for the Phenomenon, and a flaming shirt-pin for each of the young gentlemen, he refreshed himself with a walk, and returning a little after the appointed time, found the lights out, the theatre empty, the curtain raised for the night, and Mr Crummles walking up and down the stage expecting his arrival.

'Timberry won't be long,' said Mr Crummles. 'He played the audience out tonight. He does a faithful black in the last piece, and it takes him a little longer to wash himself.'

'A very unpleasant line of character, I should think?' said Nicholas.

'No, I don't know,' replied Mr Crummles; 'it comes off easily enough, and there's only the face and neck. We had a first-tragedy man in our company once, who, when he played Othello, used to black himself all over. But that's feeling a part and going into it as if you meant it; it isn't usual; more's the pity.'

Mr Snittle Timberry now appeared, arm-in-arm with the African Swallower, and, being introduced to Nicholas, raised his hat half a foot, and said he was proud to know him. The Swallower said the same, and looked and spoke remarkably like an Irishman.

'I see by the bills that you have been ill, sir,' said Nicholas to Mr Timberry. 'I hope you are none the worse for your exertions tonight?'

Mr Timberry, in reply, shook his head with a gloomy air, tapped his chest several times with great significancy, and drawing his cloak more closely about him, said, 'But no matter, no matter. Come!'

It is observable that when people upon the stage are in any strait involving the very last extremity of weakness and exhaustion, they invariably perform feats of strength requiring great ingenuity and muscular power. Thus, a wounded prince or bandit chief, who is bleeding to death and too faint to move, except to the softest music (and then only upon his hands and knees), shall be seen to approach a cottage door for aid in such a series of writhings and twistings, and with such curlings up of the legs, and such rollings over and over, and such gettings up and tumblings down again, as could never be achieved save by a very strong man skilled in posture-making. And so natural did this sort of performance come to Mr Snittle Timberry, that on their way out of the theatre and towards the tavern where the supper was to be holden, he testified the severity of his recent indisposition and its wasting effects upon the nervous system, by a series of gymnastic performances which were the admiration of all witnesses.

'Why this is indeed a joy I had not looked for!' said Mrs Crummles, when Nicholas was presented.

'Nor I,' replied Nicholas. 'It is by a mere chance that I have this opportunity of seeing you, although I would have made a great exertion to have availed myself of it.

Page 414 of 546
  • Biography
  • Novels:
    • A Christmas Carol (48 pages)
    • A Tale of Two Cities (227 pages)
    • Barnaby Rudge (418 pages)
    • Bleak House (579 pages)
    • David Copperfield (578 pages)
    • Dombey and Son (591 pages)
    • Great Expectations (298 pages)
    • Hard Times (172 pages)
    • Little Dorrit (560 pages)
    • Nicholas Nickleby (546 pages)
    • Oliver Twist (267 pages)
    • Our Mutual Friend (541 pages)
    • Martin Chuzzlewit (556 pages)
    • The Mystery of Edwin Drood (159 pages)
    • The Old Curiosity Shop (361 pages)
    • The Pickwick Papers (520 pages)
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