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Little Dorrit

by Charles Dickens

The gentleman with the gun- barrel, considering it, on inspection, in a satisfactory state, referred it to the other; receiving confirmation of his views, he fitted it into its place in the case before him, and took out the stock and polished that, softly whistling.

'Mr Wobbler?' said the suitor.

'What's the matter?' then said Mr Wobbler, with his mouth full.

'I want to know--' and Arthur Clennam again mechanically set forth what he wanted to know.

'Can't inform you,' observed Mr Wobbler, apparently to his lunch. 'Never heard of it. Nothing at all to do with it. Better try Mr Clive, second door on the left in the next passage.'

'Perhaps he will give me the same answer.'

'Very likely. Don't know anything about it,' said Mr Wobbler.

The suitor turned away and had left the room, when the gentleman with the gun called out 'Mister! Hallo!'

He looked in again.

'Shut the door after you. You're letting in a devil of a draught here!' A few steps brought him to the second door on the left in the next passage. In that room he found three gentlemen; number one doing nothing particular, number two doing nothing particular, number three doing nothing particular. They seemed, however, to be more directly concerned than the others had been in the effective execution of the great principle of the office, as there was an awful inner apartment with a double door, in which the Circumlocution Sages appeared to be assembled in council, and out of which there was an imposing coming of papers, and into which there was an imposing going of papers, almost constantly; wherein another gentleman, number four, was the active instrument.

'I want to know,' said Arthur Clennam,--and again stated his case in the same barrel-organ way. As number one referred him to number two, and as number two referred him to number three, he had occasion to state it three times before they all referred him to number four, to whom he stated it again.

Number four was a vivacious, well-looking, well-dressed, agreeable young fellow--he was a Barnacle, but on the more sprightly side of the family--and he said in an easy way, 'Oh! you had better not bother yourself about it, I think.'

'Not bother myself about it?'

'No! I recommend you not to bother yourself about it.'

This was such a new point of view that Arthur Clennam found himself at a loss how to receive it.

'You can if you like. I can give you plenty of forms to fill up. Lots of 'em here. You can have a dozen if you like. But you'll never go on with it,' said number four.

'Would it be such hopeless work? Excuse me; I am a stranger in England.' 'I don't say it would be hopeless,' returned number four, with a frank smile. 'I don't express an opinion about that; I only express an opinion about you. I don't think you'd go on with it. However, of course, you can do as you like. I suppose there was a failure in the performance of a contract, or something of that kind, was there?'

'I really don't know.'

'Well! That you can find out. Then you'll find out what Department the contract was in, and then you'll find out all about it there.'

'I beg your pardon. How shall I find out?'

'Why, you'll--you'll ask till they tell you. Then you'll memorialise that Department (according to regular forms which you'll find out) for leave to memorialise this Department.

Page 77 of 560
  • Biography
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    • A Tale of Two Cities (227 pages)
    • Barnaby Rudge (418 pages)
    • Bleak House (579 pages)
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    • Great Expectations (298 pages)
    • Hard Times (172 pages)
    • Little Dorrit (560 pages)
    • Nicholas Nickleby (546 pages)
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    • Our Mutual Friend (541 pages)
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    • The Pickwick Papers (520 pages)
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