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Little Dorrit

by Charles Dickens

He was going to say that you were not--what? I know already, but I want a little confidence from you. How, then? You are not what?'

She tried again to repress herself, but broke out vehemently, 'Not Arthur's mother!'

'Good,' said Rigaud. 'You are amenable.'

With the set expression of her face all torn away by the explosion of her passion, and with a bursting, from every rent feature, of the smouldering fire so long pent up, she cried out: 'I will tell it myself! I will not hear it from your lips, and with the taint of your wickedness upon it. Since it must be seen, I will have it seen by the light I stood in. Not another word. Hear me!'

'Unless you are a more obstinate and more persisting woman than even I know you to be,' Mr Flintwinch interposed, 'you had better leave Mr Rigaud, Mr Blandois, Mr Beelzebub, to tell it in his own way. What does it signify when he knows all about it?'

'He does not know all about it.'

'He knows all he cares about it,' Mr Flintwinch testily urged. 'He does not know me.'

'What do you suppose he cares for you, you conceited woman?' said Mr Flintwinch.

'I tell you, Flintwinch, I will speak. I tell you when it has come to this, I will tell it with my own lips, and will express myself throughout it. What! Have I suffered nothing in this room, no deprivation, no imprisonment, that I should condescend at last to contemplate myself in such a glass as that. Can you see him? Can you hear him? If your wife were a hundred times the ingrate that she is, and if I were a thousand times more hopeless than I am of inducing her to be silent if this man is silenced, I would tell it myself, before I would bear the torment of the hearing it from him.'

Rigaud pushed his chair a little back; pushed his legs out straight before him; and sat with his arms folded over against her.

'You do not know what it is,' she went on addressing him, 'to be brought up strictly and straitly. I was so brought up. Mine was no light youth of sinful gaiety and pleasure. Mine were days of wholesome repression, punishment, and fear. The corruption of our hearts, the evil of our ways, the curse that is upon us, the terrors that surround us--these were the themes of my childhood. They formed my character, and filled me with an abhorrence of evil- doers. When old Mr Gilbert Clennam proposed his orphan nephew to my father for my husband, my father impressed upon me that his bringing-up had been, like mine, one of severe restraint. He told me, that besides the discipline his spirit had undergone, he had lived in a starved house, where rioting and gaiety were unknown, and where every day was a day of toil and trial like the last. He told me that he had been a man in years long before his uncle had acknowledged him as one; and that from his school-days to that hour, his uncle's roof has been a sanctuary to him from the contagion of the irreligious and dissolute.

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  • Biography
  • Novels:
    • A Christmas Carol (48 pages)
    • A Tale of Two Cities (227 pages)
    • Barnaby Rudge (418 pages)
    • Bleak House (579 pages)
    • David Copperfield (578 pages)
    • Dombey and Son (591 pages)
    • Great Expectations (298 pages)
    • Hard Times (172 pages)
    • Little Dorrit (560 pages)
    • Nicholas Nickleby (546 pages)
    • Oliver Twist (267 pages)
    • Our Mutual Friend (541 pages)
    • Martin Chuzzlewit (556 pages)
    • The Mystery of Edwin Drood (159 pages)
    • The Old Curiosity Shop (361 pages)
    • The Pickwick Papers (520 pages)
  • Novellas, Short Stories  »
  • Nonfiction, Essays...  »
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