That handsome lady and strong spirit does me the favour to remark, in full confidence, "I have my curiosity, and I have my chagrins. You are not more than ordinarily honourable, perhaps?" I announce myself, "Madame, a gentleman from the birth, and a gentleman to the death; but NOT more than ordinarily honourable. I despise such a weak fantasy." Thereupon she is pleased to compliment. "The difference between you and the rest is," she answers, "that you say so." For she knows Society. I accept her congratulations with gallantry and politeness. Politeness and little gallantries are inseparable from my character. She then makes a proposition, which is, in effect, that she has seen us much together; that it appears to her that I am for the passing time the cat of the house, the friend of the family; that her curiosity and her chagrins awaken the fancy to be acquainted with their movements, to know the manner of their life, how the fair Gowana is beloved, how the fair Gowana is cherished, and so on. She is not rich, but offers such and such little recompenses for the little cares and derangements of such services; and I graciously--to do everything graciously is a part of my character--consent to accept them. O yes! So goes the world. It is the mode.'

Though Clennam's back was turned while he spoke, and thenceforth to the end of the interview, he kept those glittering eyes of his that were too near together, upon him, and evidently saw in the very carriage of the head, as he passed with his braggart recklessness from clause to clause of what he said, that he was saying nothing which Clennam did not already know.

'Whoof! The fair Gowana!' he said, lighting a third cigarette with a sound as if his lightest breath could blow her away. 'Charming, but imprudent! For it was not well of the fair Gowana to make mysteries of letters from old lovers, in her bedchamber on the mountain, that her husband might not see them. No, no. That was not well. Whoof! The Gowana was mistaken there.'

'I earnestly hope,' cried Arthur aloud, 'that Pancks may not be long gone, for this man's presence pollutes the room.'

'Ah! But he'll flourish here, and everywhere,' said Rigaud, with an exulting look and snap of his fingers. 'He always has; he always will!' Stretching his body out on the only three chairs in the room besides that on which Clennam sat, he sang, smiting himself on the breast as the gallant personage of the song.

'Who passes by this road so late? Compagnon de la Majolaine! Who passes by this road so late? Always gay!

'Sing the Refrain, pig! You could sing it once, in another jail. Sing it! Or, by every Saint who was stoned to death, I'll be affronted and compromising; and then some people who are not dead yet, had better have been stoned along with them!'

'Of all the king's knights 'tis the flower, Compagnon de la Majolaine! Of all the king's knights 'tis the flower, Always gay!'

Partly in his old habit of submission, partly because his not doing it might injure his benefactor, and partly because he would as soon do it as anything else, Cavalletto took up the Refrain this time. Rigaud laughed, and fell to smoking with his eyes shut.

Possibly another quarter of an hour elapsed before Mr Pancks's step was heard upon the stairs, but the interval seemed to Clennam insupportably long.