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Little Dorrit

by Charles Dickens

Thereupon all the young ladies rose and began shaking their skirts out behind.

'Well, Amy?' said Fanny, doing as the rest did; 'what were you going to say?'

'Since you told me a lady had given you the bracelet you showed me, Fanny, I have not been quite easy on your account, and indeed want to know a little more if you will confide more to me.'

'Now, ladies!' said the boy in the Scotch cap. 'Now, darlings!' said the gentleman with the black hair. They were every one gone in a moment, and the music and the dancing feet were heard again.

Little Dorrit sat down in a golden chair, made quite giddy by these rapid interruptions. Her sister and the rest were a long time gone; and during their absence a voice (it appeared to be that of the gentleman with the black hair) was continually calling out through the music, 'One, two, three, four, five, six--go! One, two, three, four, five, six--go! Steady, darlings! One, two, three, four, five, six--go!' Ultimately the voice stopped, and they all came back again, more or less out of breath, folding themselves in their shawls, and making ready for the streets. 'Stop a moment, Amy, and let them get away before us,' whispered Fanny. They were soon left alone; nothing more important happening, in the meantime, than the boy looking round his old beam, and saying, 'Everybody at eleven to-morrow, ladies!' and the gentleman with the black hair looking round his old beam, and saying, 'Everybody at eleven to-morrow, darlings!' each in his own accustomed manner.

When they were alone, something was rolled up or by other means got out of the way, and there was a great empty well before them, looking down into the depths of which Fanny said, 'Now, uncle!' Little Dorrit, as her eyes became used to the darkness, faintly made him out at the bottom of the well, in an obscure corner by himself, with his instrument in its ragged case under his arm.

The old man looked as if the remote high gallery windows, with their little strip of sky, might have been the point of his better fortunes, from which he had descended, until he had gradually sunk down below there to the bottom. He had been in that place six nights a week for many years, but had never been observed to raise his eyes above his music-book, and was confidently believed to have never seen a play. There were legends in the place that he did not so much as know the popular heroes and heroines by sight, and that the low comedian had 'mugged' at him in his richest manner fifty nights for a wager, and he had shown no trace of consciousness. The carpenters had a joke to the effect that he was dead without being aware of it; and the frequenters of the pit supposed him to pass his whole life, night and day, and Sunday and all, in the orchestra. They had tried him a few times with pinches of snuff offered over the rails, and he had always responded to this attention with a momentary waking up of manner that had the pale phantom of a gentleman in it: beyond this he never, on any occasion, had any other part in what was going on than the part written out for the clarionet; in private life, where there was no part for the clarionet, he had no part at all. Some said he was poor, some said he was a wealthy miser; but he said nothing, never lifted up his bowed head, never varied his shuffling gait by getting his springless foot from the ground.

Page 159 of 560
  • Biography
  • Novels:
    • A Christmas Carol (48 pages)
    • A Tale of Two Cities (227 pages)
    • Barnaby Rudge (418 pages)
    • Bleak House (579 pages)
    • David Copperfield (578 pages)
    • Dombey and Son (591 pages)
    • Great Expectations (298 pages)
    • Hard Times (172 pages)
    • Little Dorrit (560 pages)
    • Nicholas Nickleby (546 pages)
    • Oliver Twist (267 pages)
    • Our Mutual Friend (541 pages)
    • Martin Chuzzlewit (556 pages)
    • The Mystery of Edwin Drood (159 pages)
    • The Old Curiosity Shop (361 pages)
    • The Pickwick Papers (520 pages)
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