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Little Dorrit

by Charles Dickens

Pancks steamed out of his little dock at a quarter before six, and bore straight down for the Patriarch, who happened to be then driving, in an inane manner, through a stagnant account of Bleeding Heart Yard. Pancks instantly made fast to him and hauled him out.

'Bleeding Heart Yard?' said Pancks, with a puff and a snort. 'It's a troublesome property. Don't pay you badly, but rents are very hard to get there. You have more trouble with that one place than with all the places belonging to you.'

just as the big ship in tow gets the credit, with most spectators, of being the powerful object, so the Patriarch usually seemed to have said himself whatever Pancks said for him.

'Indeed?' returned Clennam, upon whom this impression was so efficiently made by a mere gleam of the polished head that he spoke the ship instead of the Tug. 'The people are so poor there?'

'You can't say, you know,' snorted Pancks, taking one of his dirty hands out of his rusty iron-grey pockets to bite his nails, if he could find any, and turning his beads of eyes upon his employer, 'whether they're poor or not. They say they are, but they all say that. When a man says he's rich, you're generally sure he isn't. Besides, if they ARE poor, you can't help it. You'd be poor yourself if you didn't get your rents.'

'True enough,' said Arthur.

'You're not going to keep open house for all the poor of London,' pursued Pancks. 'You're not going to lodge 'em for nothing. You're not going to open your gates wide and let 'em come free. Not if you know it, you ain't.'

Mr Casby shook his head, in Placid and benignant generality.

'If a man takes a room of you at half-a-crown a week, and when the week comes round hasn't got the half-crown, you say to that man, Why have you got the room, then? If you haven't got the one thing, why have you got the other? What have you been and done with your money? What do you mean by it? What are you up to? That's what YOU say to a man of that sort; and if you didn't say it, more shame for you!' Mr Pancks here made a singular and startling noise, produced by a strong blowing effort in the region of the nose, unattended by any result but that acoustic one.

'You have some extent of such property about the east and north- east here, I believe?' said Clennam, doubtful which of the two to address.

'Oh, pretty well,' said Pancks. 'You're not particular to east or north-east, any point of the compass will do for you. What you want is a good investment and a quick return. You take it where you can find it. You ain't nice as to situation--not you.'

There was a fourth and most original figure in the Patriarchal tent, who also appeared before dinner. This was an amazing little old woman, with a face like a staring wooden doll too cheap for expression, and a stiff yellow wig perched unevenly on the top of her head, as if the child who owned the doll had driven a tack through it anywhere, so that it only got fastened on. Another remarkable thing in this little old woman was, that the same child seemed to have damaged her face in two or three places with some blunt instrument in the nature of a spoon; her countenance, and particularly the tip of her nose, presenting the phenomena of several dints, generally answering to the bowl of that article. A further remarkable thing in this little old woman was, that she had no name but Mr F.'s Aunt.

Page 105 of 560
  • Biography
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    • A Christmas Carol (48 pages)
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    • Barnaby Rudge (418 pages)
    • Bleak House (579 pages)
    • David Copperfield (578 pages)
    • Dombey and Son (591 pages)
    • Great Expectations (298 pages)
    • Hard Times (172 pages)
    • Little Dorrit (560 pages)
    • Nicholas Nickleby (546 pages)
    • Oliver Twist (267 pages)
    • Our Mutual Friend (541 pages)
    • Martin Chuzzlewit (556 pages)
    • The Mystery of Edwin Drood (159 pages)
    • The Old Curiosity Shop (361 pages)
    • The Pickwick Papers (520 pages)
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