The perfect order of the building cannot be praised too highly, and of the excellent motives of all who are immediately concerned in the administration of the system, there can be no kind of question.

Between the body of the prison and the outer wall, there is a spacious garden. Entering it, by a wicket in the massive gate, we pursued the path before us to its other termination, and passed into a large chamber, from which seven long passages radiate. On either side of each, is a long, long row of low cell doors, with a certain number over every one. Above, a gallery of cells like those below, except that they have no narrow yard attached (as those in the ground tier have), and are somewhat smaller. The possession of two of these, is supposed to compensate for the absence of so much air and exercise as can be had in the dull strip attached to each of the others, in an hour's time every day; and therefore every prisoner in this upper story has two cells, adjoining and communicating with, each other.

Standing at the central point, and looking down these dreary passages, the dull repose and quiet that prevails, is awful. Occasionally, there is a drowsy sound from some lone weaver's shuttle, or shoemaker's last, but it is stifled by the thick walls and heavy dungeon-door, and only serves to make the general stillness more profound. Over the head and face of every prisoner who comes into this melancholy house, a black hood is drawn; and in this dark shroud, an emblem of the curtain dropped between him and the living world, he is led to the cell from which he never again comes forth, until his whole term of imprisonment has expired. He never hears of wife and children; home or friends; the life or death of any single creature. He sees the prison-officers, but with that exception he never looks upon a human countenance, or hears a human voice. He is a man buried alive; to be dug out in the slow round of years; and in the mean time dead to everything but torturing anxieties and horrible despair.

His name, and crime, and term of suffering, are unknown, even to the officer who delivers him his daily food. There is a number over his cell-door, and in a book of which the governor of the prison has one copy, and the moral instructor another: this is the index of his history. Beyond these pages the prison has no record of his existence: and though he live to be in the same cell ten weary years, he has no means of knowing, down to the very last hour, in which part of the building it is situated; what kind of men there are about him; whether in the long winter nights there are living people near, or he is in some lonely corner of the great jail, with walls, and passages, and iron doors between him and the nearest sharer in its solitary horrors.

Every cell has double doors: the outer one of sturdy oak, the other of grated iron, wherein there is a trap through which his food is handed. He has a Bible, and a slate and pencil, and, under certain restrictions, has sometimes other books, provided for the purpose, and pen and ink and paper. His razor, plate, and can, and basin, hang upon the wall, or shine upon the little shelf. Fresh water is laid on in every cell, and he can draw it at his pleasure. During the day, his bedstead turns up against the wall, and leaves more space for him to work in.